Freehand fashion sketches rendered with pasterl and digitally combined with a to complete illustration. Freehand fashion sketches rendered with markers and digitally combined with a brick wallpaper to complete illustration. Definition: Fashion Sketches are rough, unfinished drawings of clothing sketches, fashion figures sketches, or fashion models wearing apparel designs, and are used as a fast way of getting design ideas on paper. A fashion sketch may just remain a scribble in a fashion sketchbook, or it may eventually lead to a polished fashion drawing.
The designer might also choose to use a sketch for fashion illustration by including it in a fashion design portfolio or presentation board. Username or Email Address. Remember Me. Fashion Design Templates are downloadable in png, ai and svg vector formats.
Strong compositional skills, and the ability to clearly communicate information, are a distinct advantage when preparing a presentation board. Presentation boards should not blur into each other or repeat the same information as the viewer or audience will quickly lose interest or become confused. Presentation formats Mood board One of the most frequently used boards, and one that most fashion students are introduced to first, is a mood board.
As its name suggests, the purpose of this board is to set the mood or tone for the design boards or project work that follows. The process of preparing a mood board also enables a designer to collect visual information from a variety of sources and to organise their inspirations and ideas into a composed visual display. These boards can vary considerably from intense photomontages or composite collages to rather spare visual compositions that convey an ethereal quality.
Some mood boards are tactile, others may be digitally formatted. Depending on the guidance provided by tutors or professors, either type may be acceptable but it is still important that the board is planned, arranged and edited into a coherent visual composition. A is already set and the student wants illustration boards 3—4 concept board might also include the focus of their work to be linked to by Lucy Chiu.
Typically, accompanying inspiration or direction more advanced fashion design images. Title boards can be used and a colour board, with the to good effect for introducing a additional focus of a context, and project within a portfolio. Presentation formats Flats board Although some designers include 1 flats with their illustrations, it is often appropriate to prepare a separate presentation board for flats and thematically link them to your other boards. In some sections of the fashion industry this is common practice, such as for active sportswear and product categories of menswear.
Presenting flats on a separate board can enable a designer to give more artistic expression to an illustration without competing with a flat as part of the same composition. Increasingly, presentation flats are being drawn and coloured with the aid of digital graphics software. If you pursue this approach you should consider how it will work alongside your other boards. These board 4 by Lucy Chiu. They might include a style number, season, price and delivery date. Range plan boards may be less familiar to students, who will usually produce smaller line-up sheets Presentation formats drawn on the figure.
The designs are drawn on the figure and not as flats, with attention to styling, fit and proportion. It is important, therefore, that they are drawn to a consistent scale and that the poses are not overly dramatic as the purpose of the line-up sheet is to enable critical evaluation of the capsule collection.
They may be included in a final portfolio but should not detract from or duplicate final illustration work. Colour boards are used in industry to clarify exact colours and combinations within a product category or merchandise theme.
Colour inspiration is important for students of fashion and fashion 3 knitwear, who often include them within their portfolios and provide additional fabric or yarn samples. It is important, however, to consider colour consistency when producing a colour board as your artwork should be colour matched and the colours accurately represented in your design boards.
This sequence of a portfolio presentation. Development other boards and can add a wow are more appropriate. Fashion figures boards are useful; they can link a factor to a portfolio. Some designers can be cropped and framed on mood board to the artwork or final may include flats with their figurative illustration boards depending on design boards.
Although there is no drawings, while others may adopt a the desired effect. Composing your rule on how formally they should be more illustrative format. Determining illustration is important and, given presented, some students include the format for a fashion illustration is the variety of approaches to fashion them in their final portfolios. These digital formats have extended the reach of fashion drawing and presentation styles to a global audience, as well as assimilating them into a digital cultural mix that appears open and receptive to the variety of fashion drawing styles that exist today.
Blogs are also being taken up by fashion students who are actively using them to network and promote their work through online forums and digital gallery spaces.
These developments are consistent with the advances in digital graphics software, meaning that fashion drawings are increasingly being viewed through screen- based platforms as well as through a range of print media formats. The continuing influence of digital media for fashion drawings and presentations is likely to remain strong in the foreseeable future.
Graphics software, scanners and digital cameras are becoming more sophisticated and a growing number of successful illustrators and designers are using digital media either exclusively or in combination with hand-rendering techniques. If fashion is about creating an ideal and capturing the current mood and spirit of its age, then the digital presentation of fashion artworks will continue to exert a powerful influence over popular culture.
When I see something that Stockholm. I continued with more It has become increasingly triggers the nerve to create; that theoretical education, studying art important over time.
I still prefer could be anything really, an unusual history for a year at Stockholm a handmade look, but I have to colour combination, an interesting University. In I was accepted admit to being quite reliant on the face, and so on. This led to a BA in the same What advice do you have for a but to name a few: Elizabeth Peyton, subject specialising in experimental student who wants to work as Luc Tuymans, Aubrey Beardsley, image-making.
The course also a fashion illustrator? Hokusai and Gustav Klimt. Always of Technology in New York. How would you describe your fashion illustration style? Experimental, eclectic and with a love for contrasts.
Presentation formats 1—2 Illustrations by Cecilia Carlstedt. I usually work with fashion magazines, newspapers and textbooks. Basically I try to get as close as I can to each target audience; not only do I adapt my style to each one of them, but I also preserve the same essence according to my own style and technique. Illustration has always been a hobby for me.
I remember loving to draw when I was younger and ever since I have been furthering my interest in it. This was by learning several techniques such as painting, watercolouring, charcoal drawing and so on. However, I believe that my degree in graphic design perhaps has helped me the most in the creation of images, not only to compose and colour them but also to interpret and reflect them in images, ideas or concepts. I would not define it as just one pure style.
To my understanding, fashion is in constant progress, always changeable, and my work acclimatises to it. The same would apply to the designers — transformation and evolution is unstoppable. I would say that the real challenge is to reproduce that evolution on a piece of paper. To achieve that, I Try to find a unique style that you me. Anything could be an inspiration explore new ways of expression. The feel comfortable with and stick to it. Also try to build a type of I also love to pay attention to artists innovative if I show certain versatility.
I think that if we still remember them How important are computer it must be because they have done graphics in your work? What makes a great something good with their lives and I use the computer together with fashion illustration? Perhaps this is why other methods. I do use it but not Elegance and strength are two my illustrations have been defined primarily.
Moreover, they are key to making someone stop, pay attention to it and hopefully, keep it in the mind. At the end of the day, it is all about the transmission of feelings beyond what is merely visual. I studied art and fashion design for five years. The rest of my training has been on my own. Very important, I use a computer in all my work processes. What advice do you have for a student who wants to work as a fashion illustrator?
The most important thing is to find your own style and promote your work a lot so people can see it. The internet is a good tool for this. What makes a great fashion illustration? Who or what inspires you? My inspiration depends on the moment; it could be an idea or a person who is different from the rest. I try to impregnate my illustrations with the attitude of the moment. Practical considerations, such as the selection and size of a portfolio case, are discussed along with approaches to the selection and organisation of work within a portfolio.
The chapter concludes with an informative interview with the owner and director of a UK-based fashion careers company that offers support and advice on fashion portfolios to students, recent graduates and industry professionals.
Accepting that fashion portfolios do vary, we might also conclude that they serve a variety of functions. A portfolio is an important visual self-promotion and sales tool for any designer, fashion student or creative individual. There are areas of good practice that we shall consider in relation to preparing and editing a portfolio; as an underlying principle the portfolio should be a key indicator of your creative abilities, strengths and subject interests.
In this way it should demonstrate what you do best. A portfolio should evolve and remain relevant to your experiences and interests. For students they represent a record of learning and achievement that will support career planning and preparation. It is probably fair to say that without a portfolio, a fashion design student would find it almost impossible to secure employment within the fashion industry.
Fashion students would be well advised to invest in a suitable portfolio case before entering their final year as this will enable them to start organising and collating their project work. Portfolio cases come in a variety of sizes including A4 and A2 see page for a conversion table.
Fashion design students will use A3 the most. Black cases are generally preferred as they appear business- like and professional. Most portfolio cases are sold in leather-effect PVC with protective gilt corners and strap handles. It is worth remembering that while your portfolio should appear smart and functional it should not upstage the work inside it.
A deluxe portfolio case cannot make up for inferior artwork. Considering flow from one project to another mounting artwork on to a particular how you present your work is just and demonstrate the scope of your colour of cardstock to frame it; this as important as deciding what to selected work to its best advantage.
Both are inextricably This includes your ability to edit your more cohesive and define the linked and can demonstrate your work. Addressing content and projects within your portfolio. It is frustrating included within a fashion portfolio each other, or a line-up of figures but it happens so you should make and your tutors or professors arranged across the open spread of sure that all your work is presentable can offer specific guidance , the sleeves, will create a wow factor.
Good artwork will lose its appeal Artwork with raised surfaces, such if the sleeve is marked or dirty. Fashion portfolios Digital portfolios 1 Chew Magazine is an online As we have seen, documenting and presenting fashion artwork and magazine; this issue associated imagery across a variety of digital formats is becoming features the illustrations of Sandra Suy.
The emergence of online fashion magazines, such as Chew Magazine, has also extended the reach and accessibility of fashion images. This includes the presentation of drawings and artwork through screen-based rather than print-based platforms. Today, fashion illustrators, designers and students are populating the internet and presenting examples of their work through digital media such as websites, blogs and Flickr image pages.
This is leading to some interesting developments, which are beginning to extend the idea of what a fashion portfolio is and what it might look like in the future.
The term e-portfolio is gaining acceptance in a business networking context. It remains, however, that some of the more tactile human elements of original hand-drawn artwork cannot be conveyed by the digitisation process. A portfolio and also consider how memorable service in the UK dedicated to can include research, sketches, your work is. What makes it stand helping fashion, textiles and illustrations, photographs and fabric out?
The accessories designers. Based in samples and, presented as a whole, best portfolios are the ones people London, the Clinic provides should deliver a very clear message can remember even years later — I guidance, direction and support to as to what the designer is all about.
Six role in the industry. We cover a wide a fashion portfolio? As we all know, this is what sector of the market you are one to another. The style of your projects information required in order for them can be changed drastically by how On a practical note, students should to stand a better chance of gaining a you do your figure illustrations — by remember to include all of the solid role in design. Try to keep each project somewhere with a nice big table to balanced with a similar number of spread all of your work out on!
Some students Finally, keep your portfolio up to present their work in a book format, date, and remember that a portfolio bound into material or casing, or in is never finished — it should evolve as a box or container. The Most professional designers work best and most professional-looking to A4, which is easiest to present at portfolios are the leather ones with interview; for some reason, work can plastic sleeves already inserted into look better when it is slightly smaller.
The ring binders, where Going larger than A3 is impractical in you have to place the plastic sleeves terms of portability. A4 or A3 is also in yourself, invariably look messy as much more user-friendly for the soon as you open them, with some recruiter to flip through, and easier pages falling out or the pages not to look at if interviewing in a location turning correctly.
Fashion portfolios Stephanie Finnan, fashion careers adviser What are the most common companies. The most successful immediate and accessible way of mistakes fashion students make candidates are those who really think presenting work to companies when preparing a portfolio? No clear message is awful. The best these sites, they could be noticed work — both as bad as each other. Blank at first interview stage.
Electronic portfolios have pages are not acceptable, nor tatty have to be a lot — perhaps a mood really changed the face of job or messy pages. Check for glue board, page of design development hunting for the current generation of marks, torn pages, smears on plastic and a page of final illustrations. This designers. However, I do feel that a sleeves, and make sure that the will show that the candidate has put certain type of work lends itself to spelling is correct on all titles, logos time and effort into preparing for the this way of presentation more than and text — clients and recruitment interview, rather than assuming that others; for instance, fashion graphics agents do notice all of these things, their work will be suitable as it is and and print, kidswear and sportswear so double-check everything before going to every interview with the tends to look better electronically you present it.
Some What is the most important piece What role do electronic designers are choosing to take a of advice you would offer to a portfolios serve in fashion? Also, far is to make sure that the work than ever before. Many designers are presenting with a laptop can bring presented is actually suitable for the choosing to have their own website another set of concerns to the company that is interviewing.
As we have seen over the past couple of years, the use of CAD work has become much more prevalent and is now widely requested by the majority of clients. Work created on the computer can look amazing if done correctly; at the moment it is best mixed with other ways of rendering fabric and presenting illustrations, combined with hand-drawn work. I think CAD packages are becoming ever more sophisticated in terms of the effects that can be created, ease of use, and how realistic the final images look; this will continue at a fast pace.
Sadly, this may further contribute to the loss of traditional methods of hand drawing and illustration. Following on from the last question, I think that the traditional way of presenting work in a solid portfolio will die out and most designers will present electronic portfolios.
Fashion drawing encompasses a vibrant and diverse visual vocabulary. We have taken an introductory journey from its beginnings in the 19th century to the variety of styles and applications that constitute fashion drawing in the early 21st century. It is clear that both fashion and drawing continue to be shaped by an evolving aesthetic, by technological advances in computer graphics and by the practical requirements of the fashion industry. Fashion drawing enables us to define and redefine the way that we see others and ourselves.
While drawing remains a practical means for generating or communicating an idea, it should also allow us to dream and to imagine what we want to share with others. Fashion drawing may therefore be considered as a journey of self-discovery that is fed by our imagination and ideas and refined with regular practice. It is important to practise drawing in order to be able to confidently express ideas and test the boundaries. Of course, it has only been possible to include a select number of drawings by contemporary designers and illustrators in this book, alongside examples by talented students who are setting out on their careers, but their work offers us a slice of contemporary fashion practice.
A number of insightful interviews has helped us to understand the motivations and inspirations behind a range of different approaches to fashion drawing and illustration. I hope this book has stimulated your interest in fashion drawing and that it will inspire you to draw. This metric-based system is used throughout the world, except in the US and Canada. For the benefit of North American readers, the table below shows both imperial and metric measurements of the A-series. Thank you for your cooperation and open-handedness.
Through the process of writing this book I have been fortunate to meet some inspiring and creative practitioners as well as having the opportunity to renew existing contacts and acquaintances. Special thanks also to Holly-Mae Gooch and Helena Kruczynska who both produced original artwork and drawings for this book.
It was great working with both of you. My sincere thanks to Richard Haines for generously supplying me with images of his work desk and for his inspiring blog!
And thanks to Wendy Plovmand for her generous cooperation and inspirational collages! Finally a special thank you to my editor Rachel Netherwood for her tireless help and support. Our aim here is to help a historical development and current new generation of students, educators dominant themes. Working with ethics pages provide Marking your response to each of a platform for consideration and these questions on the scale shown a flexible method for incorporating will allow your reactions to be further ethical concerns in the work of explored by comparison.
The case study sets out a real Our approach consists of four parts: project and then poses some ethical questions for further consideration. This is a focus point for a debate rather than a critical analysis so there are no predetermined right or wrong answers.
A selection of further reading Working with ethics for you to consider areas of particular interest in more detail. Introduction Ethics is a complex subject that In modern times the most important interlaces the idea of responsibilities and controversial questions in ethics to society with a wide range of have been the moral ones. With considerations relevant to the character growing populations and improvements and happiness of the individual.
It in mobility and communications, concerns virtues of compassion, loyalty it is not surprising that considerations and strength, but also of confidence, about how to structure our lives imagination, humour and optimism.
For visual artists philosophy, the fundamental ethical and communicators it should be no question is what should I do? For example, plagiarism and breaches of confidentiality can be punishable offences. Legislation in various nations makes it unlawful to exclude people with disabilities from accessing information or spaces. The trade of ivory as a material has been banned in many countries. In these cases, a clear line has been drawn under what is unacceptable.
Must there have to make our own choices on be a single unifying theory of ethics the basis of our own guiding principles such as the Utilitarian thesis that or values. Is it more ethical to work the right course of action is always for a charity than for a commercial the one that leads to the greatest company?
Is it unethical to create happiness of the greatest number , something that others find ugly or or might there always be many different offensive? Specific questions such as these may lead to other questions that are As we enter into ethical debate more abstract.
For example, is it only and engage with these dilemmas on effects on humans and what they a personal and professional level, care about that are important, or we may change our views or change might effects on the natural world our view of others. The real test though require attention too?
But this point might only lead us to yet another question: how do we know what is right? What are your terms? Central to everything you do will be Working relationships are central your attitude to people and issues to whether ethics can be embedded around you. For some people their into a project and your conduct on ethics are an active part of the a day-to-day basis is a demonstration decisions they make everyday as a of your professional ethics.
The consumer, a voter or a working decision with the biggest impact is professional. Others may think about whom you choose to work with in ethics very little and yet this does not the first place. Cigarette companies or automatically make them unethical. At what point might you ethical viewpoint.
What do you take ability to choose? Sketches of Fashion Models. Fashion Sketch Floral II. Rouge et Noir — Fashion sketch. Designer Sketches for Fashion. Fashion Sketches.
Patriotic Fashion Designer Sketche. Deco Fashion Design Sketch. Creative Fashion Sketches with Flowers. Fashion Sketche. Template of Fashion Design Final Sketch. Hayden Williams Fashion Sketche. Fashion Designer Sketche.
Fashion Sketches — Abal. Fashion Sketches Apparel Designer.
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